In small villages like that, usually the dynamics are reliably set and don’t change much. The Banshees of Inisherin begins when Colm Doherty (Gleeson) stops speaking to his alleged best friend Pádraic Súilleabháin (Farrell), leaving Pádraic confounded as to the reason. He tries to reconnect with Colm, only to encounter heavy resistance, until Colm makes a disturbing promise that makes Pádraic reconsider what the friendship meant in the first place. The Irish Civil War (portrayed entirely through gunfire sounds and flashing lights on the mainland) is the perfect backdrop, epitomizing the personal conflict in a real-world context.
Despite how dour it sounds, The Banshees of Inisherin is a true-blood comedy. McDonagh, whose background is in playwriting, is highly skilled in threading the needle between darkness and humor, and it’s more evident here than it is anywhere else. Once you get past the Irish accents — trust me, it will take a moment to adjust — you’ll get a sense of McDonagh’s stellar screenplay, chock-full of quotable idioms and engaging character moments that will have you contemplating for days to come.
Kerry Condon (star of Rome and Better Call Saul) also stars as Pádraic’s sister Siobhán, delivering an empathetic performance that makes her the heart of the film. Another standout is Barry Keoghan (Dunkirk, Eternals), who plays village idiot and Pádraic’s other best friend, Dominic. Keoghan steals every scene he’s in, his arc only embodying this movie’s status as a tragic comedy. Every character has a role to play in this meticulously-crafted story, and to watch it all unfold is a beautiful experience. The fact that it’s a shot in such a gorgeous location can’t hurt either, especially in the age of computer-generated hellscapes that have dominated big blockbusters.
The Banshees of Inisherin is in theaters now.
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